![]() |
Naka Akira's show at Toubaku (Credit: wikipedia.org)
|
Kinbaku (緊縛?) means 'tight
binding' Kinbaku-bi (緊縛美?) which literally
means 'the beauty of tight binding'. Kinbaku is a Japanese style
of bondage or BDSM which
involves tying up the bottom using simple yet visually intricate
patterns, usually with several pieces of thin rope (often jute, hemp or linen and generally
around 6 mm in diameter, but sometimes as small as 4 mm, and between 7 – 8
m long). In Japanese, this natural-fibre rope is known as 'asanawa'; the
Japanese vocabulary does not make a distinction between hemp and jute. The allusion is
to the use of hemp rope for restraining prisoners, as a symbol of power, in the
same way that stocks or manacles are used in a Western BDSM context. The
word shibari came into common use in the West at some point in the 1990s to
describe the bondage art Kinbaku. Shibari (縛り?) is a Japanese word
that literally means "Decoratively Tie".
'Kinbaku' vs. 'shibari'
There is
much discussion about the distinction between shibari and kinbaku, and whether
one term is more appropriate than another.
One modern
distinction which is gaining popularity among westerners wanting to distinguish
the terms is that shibari refers to purely artistic, aesthetic rope, whilst
kinbaku refers to the artistic, connective, sensual, sexual practice as a
whole. While thousands of books and articles have been written in Japanese
about shibari, no one has found evidence of there being any
thought given to the distinction between these words among Japanese
practitioners of the art.
A traditional
view is that the term 'shibari' is a wrong Western Japonism. The word denotes
tying in Japanese, but in a generic way, and traditionally not in the context
of bondage. The names for many particular ties include 'shibari', but it is not
traditional to call the entire activity that way. (In the same way as there are
'Diamond
Knots' and 'Portuguese Bowline Knots', but 'knotting' does
not mean bondage). Instead, Kinbaku is the term for artistic or erotic tying
within traditional Japanese rope bondage circles. This view seems to
be squarely at odds with the way the word is actually used in books,
periodicals, and discussions of rope bondage among Japanese.
An even more
traditional view is that shibari is a term used for erotic bondage in Japan
that is practically interchangeable with the term kinbaku. Itoh Seiu,
generally considered one of the fathers of contemporary Japanese rope bondage
used the term in the 1950s, with
no sign of it being a "western Japonism" as did many other well known
Japanese bakushi, from the 1950s until present day, including Nureki Chimuo,
Yukimura Haruki, Akechi Denki, Tsujimura Takeshi, Arisue Go, Randa Mai, Osada
Steve, Miura Takumi, Nagaike Takeshi, and Minomura Kou (among countless
others). One of Nurkei Chimuo's how-to video series from the 1980s, is titled
Introduction to Shibari.
While some
claim this is a somewhat hidebound definition and the word shibari is now
increasingly being re-imported from the West to Japan, as the tying communities
are very much interconnected, there is no evidence to support such a conclusion
as most practicing bakushi in Japan have very limited contact with the west and
almost no interest in debating the meaning of words. Most Japanese kinbakushi
do not object to the term shibari, as it's common vernacular in the global
community.
Another
explanation can be found in the linguistic roots of the two words, which share
a core kanji.
Rope types
In Japan the
most often used type of rope is a loose laid, three strand jute rope. This rope
is referred to as "Asanawa" usually translated as "hemp
rope" the word 'asa' as hemp and 'nawa' as rope, however
this is using the more generic form of the word [hemp] referring to a range of
natural fibre ropes rather than those pertaining to a particular plant. In
recent history a range of rope types have been used for Kinbaku in Japan though Nawashi rarely
use synthetic fibre rope and most often use jute.
Aesthetics of Japanese bondage
The aesthetics of
the bound person's position is important: in particular, Japanese bondage is
distinguished by its use of specific katas (forms) and aesthetic rules.
Sometimes, asymmetric and often intentionally uncomfortable positions are
employed. In particular, Japanese bondage is very much about the way the rope
is applied and the pleasure is more in the journey than the destination. In
this way the rope becomes an extension of the nawashi's hands
and is used to communicate.
Traditional
Japanese bondage techniques use natural vegetable fiber rope (hemp, jute, or linen) exclusively, though contemporary
Japanese Masters have been working with a range of rope materials. The natural
fibers easily lock to each other which means the bondage can be held together
by the friction of twists and turns or very simple knots. Traditionally,
multiple 6-8 meter lengths are used.
Shibari in contemporary art
Shibari has
a strong presence in the works of some renowned contemporary artists, mainly
photographers, like Nobuyoshi Araki in Japan, Jim Duvall in the United
States and Hikari Kesho in Europe.
In 2014,
Romanian singer-songwriter NAVI released a Shibari-themed music video,
"Picture Perfect". The
highly controversial video, directed by Marian Nica, was banned by Romanian
television for its explicit erotic content.
History
Bondage as a
sexual activity first came to notice in Japan in the late Edo period. Generally
recognized as "father of Kinbaku" is Seiu Ito,
who started studying and researching Hojōjutsu is
credited with the inception of Kinbaku, though it is noted that he drew
inspiration from other art forms of the time including Kabuki theatre and
Ukiyoe woodblock prints. Kinbaku became widely popular in Japan in the 1950s
through magazines such as Kitan Club and Yomikiri Romance, which
published the first naked bondage photographs. In the 1960s, people such as
Eikichi Osada began to appear performing live SM shows
often including a large amount of rope bondage, today these performers are
often referred to as Nawashi (rope master) or Bakushi (from kinbakushi,
meaning bondage master).
In recent
years, Kinbaku has become popular in the Western BDSM scene in its own
right and has also profoundly influenced bondage, combining to produce many
'fusion' styles.
Technique
Kinbaku is
based on fairly specific rope patterns, many of them derived from Hojojutsu
ties though significantly modified to make them safer for bondage use. Many
HojoJutsu ties were deliberately designed to cause harm to a prisoner and are
therefore not suitable for erotic bondage. Of particular importance are the Ushiro
Takatekote (a type of box tie which
surrounds the chest and arms), which forms the basis of many Kinbaku ties, and
the Ebi,
or "Shrimp", which was originally designed as a torture tie and
codified as part of the Edo period torture techniques. Today the tie is
used as part of SM play and can be considered a form of Semenawa,
torture rope.
Generally
speaking, Kinbaku is practised with ropes of 6–8 meters (20–26 feet) in length. Due to the generally
larger physique of Western subjects, 7–8 meters (23–26 feet) ropes are commonly
used in the West. The rope material
is usually jute (or hemp) though many
other materials are in use including cotton and
various synthetics. Various techniques are used to make the natural fiber ropes
softer. Read more >>
Source: https://en.wikipedia.org/wiki/Japanese_bondage
0 comments:
Post a Comment